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STEVE WATTS

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Punisher: War Journal No. 9 Explores America's Dark Side (Book Review)

The days following the Civil War storyline, which sharply criticizes the Patriot Act, resulted in this; will America follow?

Here's how I read comics as a kid; it's more uncomfortable than I remember.

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Chances are good that by now you know that Captain America is dead; it was picked up by several media outlets and run as a major story reflecting on our country's cynicism and loss of innocence.

Chances are also good that you don't know how, or why, or what came next.

First, however, some of the story before the story. Captain America's death followed directly on the heels of a giant cross-promotional event Marvel dubbed "Civil War." After a mishap involving superheroes resulted in the deaths of over 600 people, the government pressed a striking new legislation called the Superhuman Registration Act.

This forced superheroes to reveal their secret identities to the government. However, heroes were split, and took sides; hence the title "Civil War." Several heroes advocated the act for public safety, while others advocated individual rights to privacy. Sound familiar? It should, as the plot line was made in direct response to our own government's actions following 9/11.

One of the most ardent supporters of the rights to privacy was Captain America, who reluctantly let Frank Castle, the Punisher, join his group of heroes fighting for their rights. Once the Civil War ended, Captain America was arrested and to be put on trial; that is, until he was shot on his way to the courthouse.

Several heroes had different responses to Cap's death. Frank Castle donned an entirely new costume that pays homage to Captain America while keeping true to his dark roots. Still evading the government's forces, but looking out to punish the crime world, we begin this chapter.

Neo-Nazis vs America: Fight!

When we join the Punisher, he's already being held captive by a militant group called the National Force, donning their own variations on Cap's outfit but donned with swastikas and striking combinations of red, white and black. Subtlety is no friend to Punisher comics, and the message is quite clear even from the first page.

Then, the comic takes an unexpected turn in flashback. The Punisher didn't merely fight the racist cell, he infiltrated them. As a malicious group of immigrant-killing extremists, they force Castle to kill an innocent woman to prove his worth - and he actually does so. Clearly, the ends justify the means for him. Later, he gets his revenge for forcing him to do such a thing by slaughtering at least one of the National Force members in a fairly brutal fashion that I will simply say involves a high-speed vehicle.

I won't spoil the ending, but suffice it to say we fall onto a cliffhanger. Such is the nature of serial stories.

Though the plot delivers a metaphorical and political message with all the tender care of a steamroller, I got pretty genuinely interested in the social commentary taking place in this piece. I'm not sure I'll continue to follow Punisher comics - he was never my favorite of superheroes - but I'm bound to at least research to discover how this particular plot arc wraps up.

Art Direction and Writing

As mentioned above, the art is nothing if not blunt - as Punisher tries to infiltrate the racist group he wears a Confederate flag on his shirt - and the writing is no different. We're subjected to a long and rather stereotypical diatribe from the leader of the National Force filled with racial epithets. This made me a bit uncomfortable, which I suspect was its intent, but it seemed to go on a bit unnecessarily long. Okay, they're racists; we all get it.

The glimpses inside Punisher's mind, on the other hand, are refreshingly interesting. We see his psychosis and the guilt he feels when he carries out his hazing, and this small portion gives us a look inside the terror of racist extremism that rivals some films I've seen on the subject. (Ed Norton, I'm looking in your direction).

In the world of this artist, all of the men are hulking beasts - even by comic standards. Though the one brief glimpse we get of a woman she looks fairly normally proportioned, the men appear to be nothing short of action figures with unbelievably defined chins and shoulders as broad as a school bus. This serves well enough to separate us from the disturbing messages the book delivers, but at the same time I wonder if a more gritty, realistic appearance would work better for putting us into the dark and depraved world of these fanatics.

American Punishment

We can clearly see the dementia and commentary on America in the artwork of this piece. Following the death of America - the embodiment of freedom - a new America has emerged, and that one is dark and cruel and willing to do horrible things to accomplish its goals. It isn't the same one that we loved, but it is somehow more relevant to the world we live in.

Interestingly, though, while the newly attired Punisher may cast a dark shadow on the current state of America, he is standing up for values that most would call very liberal, setting a priority of destroying a destructive racist cell. His willingness to get his hands dirty is no news for the Punisher, but is interesting to note now that he is representing our nation.

Civil War was a cautionary tale, and the stories that have followed have been equally ones of warning. In our current society, the Patriot Act is just beginning. It hasn't yet been allowed to reach the point, from a metaphorical standpoint, that was carried out in the Civil War storyline.

The question is, will we get to that point? Will one day the fallout of the Patriot Act cause a blow to our spirit strong enough to form us into what the Punisher shows us?

Or, the much more terrifying question...

What if it already has?

My Superhero Is Better Than Your Superhero Series

As part of a mini-series on comics that I'm writing with two fellow Viners, we're ending each comic book review with thoughts on how their Superheroing prowess stacks up against the competition. Frank Castle, otherwise known as The Punisher, has a long and checkered history. He's been everything from a villain to a dark antihero to an absolute laughing stock in the comic world.

One feature sets him apart from several of his comic brethren, however: he is utterly and completely merciless. We see this twice in this comic in fairly graphic detail, first when he kills an innocent woman to prove his worth to the skinheads, and later when he gets his revenge on them. At these times it's as if Castle is consumed by his anger, repeatedly reinforcing the word to himself like a mantra: kill.

While other heroes have a strict "no killing" policy, Frank Castle throws all of that out the window. For that reason, he's a formidable foe, because when he's set on a target he won't stop until they die -- or he dies. On the other hand, Punisher is also fully human, so he has an inherent disadvantage to his fellow heroes imbued with superpowers.

So to open the question: how would Punisher do in a fight against the following opponents?

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{"commentId":861811,"authorDomain":"stevencwatts"}

I hope that this spurs on some interesting discussion about the allegory here. The Civil War series was actually a pretty major step for Marvel, putting into motion a much more serious political narrative than they usually attempt. It also changed a lot of things, from Cap's death to Spider-Man's revealing his identity, etc.

What do we think of the depiction of America as presented in these comics? Comic books aren't generally seen as "high art," but they are certainly trying to make a statement here. When Civil War started it was pretty even-handed and showed the positives and negatives of actions like the Patriot Act, but as it's gone on it's taken a much more sinister turn, even if some who advocate it (like Iron Man) are doing so for what they believe are the right reasons.

And don't forget to put in your two cents on the "who would win in a fight" question. When we were brainstorming this series we thought it would be pretty fun to see which superhero reigns supreme on Newsvine, and it should make for a fun Friday at the office. Battle on, guys.

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  • 1 vote
Reply#1 - Fri Jul 13, 2007 12:49 AM EDT
{"commentId":862257,"authorDomain":"clrapp"}

What a great review Steve.

You do an incredible job of summarizing the points of the book and what the author is trying to convey to it's readers.

I love the art work on the Cap costume on the Punisher. I am a big costume geek. Although I am a costume purest also, I like to see little creative deviations and combinations of heroes as they have done here.

The glimpses inside Punisher's mind, on the other hand, are refreshingly interesting. We see his psychosis and the guilt he feels when he carries out his hazing, and this small portion gives us a look inside the terror of racist extremism that rivals some films I've seen on the subject. (Ed Norton, I'm looking in your direction).

It's funny, as I was reading this paragraph, I had the exact same movie and Norton sketched in my mind.

I have always respected the Punisher because of his "no prisoners" attitude. How many times have you wished you could adopt more of this personality in a controlled manner in your everyday life? I was a huge fan in my college years. I was a collegiate athlete, I played football. His brand of brutality, vengeance, and intensity actually translate over very well to the football field if used in a controlled way. With all of that being said, you have to be realistic and realize he would not have a chance against most superheroes because he doesn't have any superpowers. I actually compare him closely to the skills of Batman, but if put up against Superman, he wouldn't have a prayer...

Great work Steve.

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  • 1 vote
Reply#2 - Fri Jul 13, 2007 8:59 AM EDT
{"commentId":862291,"authorDomain":"celestina"}

Never got into Punisher, but this series at least I may have to check out.

Comic books aren't generally seen as "high art," but they are certainly trying to make a statement here.

Well, comic books have definitely slipped under the "respectable" radar, but they are art, and they are also one of the few things we have left that represents a modern western mythology. I have thought for a long time that the fear and repression of mutants in X-Men was a good parable for the kind of fear and discrimination we have various waves of in the U.S., but it definitely sounds like this comic takes it a step further and makes it directly relevant to our current philosophy of fear and "any means to an end".

And Punisher might could take out Spidey, but I still think John Constantine would kick his ass.

{"commentId":862291,"threadId":"124901","contentId":"833823","authorDomain":"celestina"}
    Reply#3 - Fri Jul 13, 2007 9:19 AM EDT
    {"commentId":862468,"authorDomain":"zeketyler"}

    I didn't know Captain America was dead. Thanks, Steve.

    :P I don't care though.

    Nice review.

    {"commentId":862468,"threadId":"124901","contentId":"833823","authorDomain":"zeketyler"}
      Reply#4 - Fri Jul 13, 2007 10:27 AM EDT
      {"commentId":863932,"authorDomain":"bryancarr"}

      Having not read the issue in question but being a big fan of the War Journal series, I have to say that this entire arc has really been about breaking Frank Castle down as a human being. We see a genuinely distressed and patriotic soul mourning the death of someone he seldom agreed with but always respected having to do things that sicken him in order to uphold those ideals that Captain America fought for (yet, ironically, doing so by doing things that Cap would have never done in a million years). The important thing to remember about the Punisher is that he has a distinct moral code (when written properly), and that he never wavers from it. In a lot of ways, he's The Last Cowboy - all that matters is that the innocent are protected and the guilty get their just desserts.

      But the real reason I really like War Journal? The following line from an earlier issue:

      "We have to steal a car. I'm going to drive down to Mexico, and I'm going to shoot that guy in the face."

      {"commentId":863932,"threadId":"124901","contentId":"833823","authorDomain":"bryancarr"}
        Reply#5 - Fri Jul 13, 2007 6:14 PM EDT
        {"commentId":864241,"authorDomain":"stevencwatts"}

        It sounds like you have a good deal more experience in the comic, Bryan, so I'd like to hear some other moments of this comic that I've missed. How else did they strip away his humanity? What other cruel methods did he use? It sounds pretty interesting.

        {"commentId":864241,"threadId":"124901","contentId":"833823","authorDomain":"stevencwatts"}
          #5.1 - Fri Jul 13, 2007 8:47 PM EDT
          {"commentId":864302,"authorDomain":"bryancarr"}

          Well, it's primarily been this arc, not so much the entire series. And I guess I should clarify that they're breaking Frank down into the elements that compose his personality, not stripping away his humanity (though, now that I've read the issue, that seems to be happening more and more too).

          That said, Castle's been up to some dark stuff in the series thus far. He crippled Rhino, for example. He also killed Stiltman and then poisoned every supervillain that came to his wake, then blew up the bar they were in for good measure. Even so, with the exception of this issue, War Journal has been primarily tongue-in-cheek, with more humor than would be expected from a Punisher book.

          If you want to read some incredibly dark, violent Punisher stuff, read Garth Ennis' MAX series. Among Frank's hits: he murdered a conspirator in a sex slave ring by throwing her up against unbreakable glass until the window finally popped out and she plummeted to her death (she got pretty messed up), fed a mob boss to a polar bear, performed forced surgery on the sadistic patriarch of the aforementioned sex slave ring...heck, this last issue, which just wrapped up the "Widowmakers" arc, may have been one of the darkest comics I've ever read.

          So it's actually kind of difficult to strip away Frank's humanity, as he's pretty much a killing machine, with little remorse or feeling for those who would prey on innocent lives. Even so, he's not an inhuman monster. In the aforementioned MAX series, he is duped by Nick Fury into rescuing a little girl who was used as a human guinea pig by her scientist father to carry an incredibly deadly virus - the virus was eliminated from her system by the time they got the girl out, but Fury just wanted to save the girl (so did Castle). He protects a young woman who escaped from the slavery ring, bringing her food, clothing, and listening to the story of how the ring-runners held her baby hostage to force her compliance with the humiliating and dangerous sexual acts she was forced into.

          Unfortunately, the Punisher is also one of the least consistently-written characters in comicdom, even to this day. In Runaways, for example, he's a psychotic madman who isn't afraid of training his weapons on children (superpowered though they may be). Let's also not forget that years ago he would take shots at jaywalkers. The problem is that a lot of writers don't really get the character at all. Frank Castle is catharsis personified - he embodies the feeling that we all get sometimes, the feeling of despair and anger at the state of the world and the wish to just end the suffering of others by any means necessary. That's why Ennis (wisely) puts Frank into so many real-world situations of injustice and inequality. He's what we'd all like to do to the people who abuse children, or murder innocents for profit or because of something as insignificant as their race. That's why he's arguably so compelling - as violent and angry as he can be, he still represents that part of our psyche that is looking for cathartic release.

          I'm rambling a bit, but you get my point. I never liked the Punisher until a year or two ago when I finally got his appeal. He's no hero, but sometimes it takes a monster (albeit one with a soft spot and a heart of gold underneath his cold, tragic exterior) to stop a monster. As violent and angry as Frank is, he's always on the side of good - it's his methods that are up for debate.

          {"commentId":864302,"threadId":"124901","contentId":"833823","authorDomain":"bryancarr"}
          • 1 vote
          #5.2 - Fri Jul 13, 2007 9:24 PM EDT
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